Otobong Nkanga

 

 

 

 

Otobong Nkanga

Cadence

 

Otobong Nkanga has been working with the TextielLab for over ten years. She also mentors young talent through the lab’s Advanced Textile Program. In 2021, she made a series of striking woven tapestries for a major solo exhibition at Kunsthaus Bregenz, Austria. This year, she worked with Stef Miero in the lab on Cadence, an equally striking tapestry measuring approximately 20 metres high and 11 metres wide for MoMa in New York. The tapestry has been hanging on the highest wall of the atrium since October 2024, where it will remain until the summer of 2025.

Cadence confronts both the degradation and resilience of the universe – from the depths of the earth to the stars in the sky and everything in between. The work was produced in three parts on the 350-cm-wide loom. It comprises four layers and 12 wefts of different yarns, creating four palettes of 234 colours. The four layers presented a significant challenge because of the size of the fabric. A gym hall was rented specially to lay out, check and finish the woven sections before they went to New York. By pushing the floating warp threads of the tapestry’s top layer to one side, Nkanga exposed the layers underneath, creating an extraordinary feeling of depth.

 

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Photos by Wim van Dongen and Emile Askey

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

       

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We come from fire and return to fire

 

For her solo exhibition in London’s Lisson Gallery in the summer of 2024, Otobong Nkanga presented new work made in the TextielLab. The exhibition explored destruction and rejuvenation, with every scorched landscape accompanied by the possibility of hope and renewal. A centrepiece of the exhibition was an installation comprising a 250-by-350-cm hand-tufted woollen rug and braided cords.

The rug was inspired by pyrargyrite, shungite and tourmaline – minerals and stones which some people believe have healing properties. More than 25 shades of black, grey, purple, blue and red are interspersed with the occasional flash of colour. The rug incorporates all possible pile heights from 1.6 cm to 4.5 cm, creating a highly layered landscape that resembles a simmering volcano. Completing the installation are passementerie cords attached with carabiners to three metal rings in the rug. Raku-fired objects, stones and glass sculptures containing essential oils are fastened to these cords.

 

Photos by Lisson Gallery

 

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